Sunday, July 15, 2012

NEW LAW COMING TO BAN SQUATTING IN JAMAICA

Jerome Reynolds, Gleaner Writer (original source

The government has signalled that it will be moving to ban squatting.

Minister without Portfolio in the Housing Ministry, Dr. Morais Guy, in his contribution to the Sectoral Debate in Parliament yesterday said the ministry is looking at implementing a modern Trespass Act which will address the issue of squatting. 


Minister without Portfolio in the Housing Ministry, Dr. Morais Guy.
The current Act was drafted in 1851. 

Dr. Guy added that the administration is also seeking to correct one of the country’s biggest social challenges. 


He said he will be seeking the support of the different ministries under which various pieces of legislation exist that can be applied to addressing issues related to squatting. 


Dr Guy highlighted that 15 to 35 percent of Jamaicans are estimated to be living in squatter settlements or abandoned buildings. 


According to him, an assessment in 2008 by the Squatter Management 

Unit of the Housing Ministry, identified that there were over 700 squatter settlements across the country.

He said it revealed three types of squatting in Jamaica: agricultural, residential and commercial with the most dominant type being residential.

Friday, July 13, 2012

HAKIM BEY WITH 69DB AND OTHERS

Hakim Bey, painted portrait DDC_3021


Hakim Bey Talks with users of Public Netbase
March 18.1995

Excerpt from the transcript. May I advice you to read the full transcript.

SEB:
On that point for me it's interesting living in a communal group. The way that suddenly you realize that the whole process of what you are doing is in fact an ego game, that you are working out amongst all the other people involved - we all come from western society.
It took me psychedelics to wake up to be honest. And it took me being in a situation whereby Brittain had an underground movement which lasted for four years solid. And this movement was a Free Party movement. This was coming together thousands of people and all dancing underneath the stars for sometimes periods of two weeks. This were serious nights of partying. This brought us to the edge where we suddenly realized where our freedom lay.
Everyone thinks we are free, we were told that - and I believed it all the way - but suddenly when you push out and find out that by expressing your freedom you got riot police coming in and beating people up, suddenly you find out that your freedom doesn't stretch so far.
There is this issue in Britain of Commonland. I remember when we were in Leeds we were looking for a place to do a party. The traditional place in Britain is Commonland. I went to Leeds to have a look at the maps of Commonland, and all the land that was given to the people, there were only two pieces left. I checked both places. First was a field for a farmers corn and the second place was an airport... This is land that was given to the people for specific parties and festivals, put it's not there anymore, it's been sold off.

X:
This shows us that in the end you need physical space. If you want Immediatism, you want physical space.

XX:
Maybe we should go to virtual space.

X to H. BEY :
But this is a contradiction to immediacy, cause immediacy claims that you shouldn't use the media to come together but you use physical space. And in the end this is inconsistent.

H. BEY :
This is not exactly what I've said. What I said was that there is no Temporary Autonomous Zone without physical space. I didn't say that there is no interrelationship between cyberspace and physical space. Of course there's a relationship - there are many different kinds of relations. But what I'm talking about, how I'm defining freedom for the time being, if it doesn't include the body it is an illusion. If my eyes are free but my nose isn't, so this is not what I call freedom. I say there is no festival inside cyberspace. If it doesn't interpenetrate with the physical world, then it's simply another form of representation. Everything which was once lived, has now moved away into representation. And if this is felt to be a form of un-freedom, than it is precisely representation which we find ourselves in a struggle against.
In this sense it may be necessary to ultimately take up a very hostile stand toward cyberspace, or we may find it is a useful weapon, but we will not find our freedom in a machine. We won't find our freedom as a representation in a machine. I can turn myself into a cartoon figure going to virtual reality and act all kinds of fantasies but that won't be live, that would be representation. A representation of myself to the space and a representation of the space to myself. In that circularity there is no exit - there is no escape from that kind of viscous circle. So that's why I don't say that there's some dichotomy between the physical and the non physical but the one without the other is not freedom. You see what I'm saying?

XX:
No that's not true! Because you can leave this material world. It's not so easy but it's possible - you can go into immaterial, antimaterial world.

XXX:
For me that's an interesting point. All live is representational anyway, we are living in a type of illusion or cyberspace reality where we have these meat machines to walk around. Cyberspace doesn't exist yet. In the moment the closest space that we have to cyberspace is innerspace, where creativity - perhaps - ultimately comes from.

H. BEY :
Well, we all know, that there is no absolute direct experience - that the body itself is a medium, that proprioception is mediated by the nervous system etc. etc. But I still maintain that it is possible to construct a hierarchy of values in which certain things are more and certain things are less embodied. To simply take some kind of Berkleyan idealism, which is what I'm getting from you - to say that the body has no reality and therefore there is no difference between virtual reality, whether it be virtual or actual virtual reality, is something that I have to reject.
I don't see this lack of distinction. I know that there is a great platonic, mystical, gnostic dualist tradition, which you guys seem to be here today to represent, which really does believe, that we are going to leave our body, that there's some real eternal entity inside the body, which is going to escape and is going to heaven when you die. I don't know this shit and frankly I don't believe it - it's finished - I might as well go become a Christian.

XX:
I can show you this concept mathematically - you can proof it. Matter, antimatter - other forms of energy. The last human chess master - if the computer is better in chess than the best human chess master the same can happen to literature and music.

H. BEY :
First of all I've never met anybody from the antimatter world. So I don't have any opinion about the existence of consciousness within the world of antimatter.
Second chess can be reduced to mathematics, we know that this is true, but we don't know that literature or life or flesh can be reduced to mathematics. That has not been shown to my satisfaction and if it's shown to yours I would appreciate some references.

SEB:
On this issue, for me, you would help me if you would clarify the difference between meditation, the psychedelic experience, the trance dance, what happens at rave parties. I think on these lines as a backup to what I'm doing with the techno side and also looking at creativity and the idea of clearing the ego from the process and allowing pure source energy through. What is the difference?

H. BEY :
Possibly we're talking about different states of consciousness. My inclination is to think everything is real, which of course means reality becomes a very fuzzy concept. But I have experience of the world of the imagination too. It's on the level that one experiences it. It's of course very very real. It can change your life and through it you can change the world. So the imagination is clearly something which is as real, in this sense, as anything else. Virtual reality is as real, in this sense, as anything else. But I would go back to the idea of a practical hierarchy, which has to be ultimately, subjectively based. Is it doing it for me, or is it not?
On the bases of the only possible values, that we can create for ourselves - this kind of gradation of media, by which I mean language, body, everything, can arrange in some kind of a useful program for oneself, where certain spaces are more liberated. Certain modes of consciousness are more joyful. That's really the best I can say. .

SEB:
What about the idea of improvisation, the whole idea of reflecting the moment. How that is necessary to the development of the consciousness, it does seem to have the ability to pull the mind in and take it somewhere. This whole process is very important for culture and has been obliterated in the west for the past few hundred years but does seem to emerge through the subcultures and always has done.

H. BEY :
I think improvisation is a good key to this. If you can develope a kind of Zen-approach to this levels, so you need not use a hard and fast religion, ideology or philosophy to prejudge the utility of one level over the other that would be the appropriate modus operandi. The best way to go would be what I call a psychic martial artist.



Read the full transcript here: http://hermetic.com/bey/hb18-3pu.html

Thursday, July 12, 2012

BOOOOOOOOOOOM!


p.s. : The header with the artwork by Cirkus Alien is gone, forever. Since people often thought I stole this image.. whilst I credited the artwork in our GET CONNECTED! page. But nobody seemed to notice.. I just liked it. But anyway.. fuck you - you won :D I changed it now.. and will never use anything I like again. Idiots :]

Wednesday, July 11, 2012

SQUAT FOR YOUR RIGHT TO PARTY

by Gabriela Dworecki - squat-for-your-right-to-party.info



The documentary follows Matraka Sound System, a Spanish crew located in Madrid, on their quest to find a location for a celebration of free party/squat party culture. Filmed in Madrid in the summer of 2007, nearly 20 years after the birth of the free party movement, this documentary offers a glimpse of the constantly mutating underground electronic music scene. It's history, challenges, achievements and evolution can be viewed, through the lens of other social and political movements that break from the safe and familiar conventions of their original subcultures. Situated in a context of continual repression and public resistance, the film turns a subjective eye on a growing divide from within the scene, where critical self-assessment calls into question the validity of theories, notably those of Hakim Bey, that have been historically used to justify the movement itself.

Monday, July 9, 2012

A MESSAGE FROM YOUR GOVERNMENT

Saturday, July 7, 2012

THE POUMTCHAK PATTERN

Correspondences Between
Rhythm, Sound, and Movement
in Electronic Dance Music

PhD Thesis by Hans T Zeiner-Henriksen


POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!
POUM-POUM T'CHAK!  POUM-POUM T'CHAK!  POUM-POUM T'CHAK!


Brilliant thesis, I love it!

   

Thursday, July 5, 2012

OPTIMIZING ZOTF - ISSUE 4.5

op·ti·mize
verb /ˈäptəˌmīz/ 
  1. Make the best or most effective use of (a situation, opportunity, or resource)
    - to optimize viewing conditions the microscope should be correctly adjusted
  2. Rearrange or rewrite data to improve efficiency of retrieval or processing

Tuesday, July 3, 2012

TEKNO MET EEN K

 


A documentary produced and directed by Oscar Verschuur as a graduation project in 2003. He made only 100 copies that circulated between people involved in the scene. It was intentionally kept in a closed circuit to prevent having people their faces all over the web and beyond. It was later published publicly on our beloved Internet Archive.. which is loaded with treasures like this documentary.

Watched it a while ago and it just hit me that I never posted this..
..so here it is, for you to enjoy!
Oh and.. the main language spoken is Dutch..
because it documents the dutch scene :D
-signed captain obvious

  
Run time: 26 minutes 49 seconds

Friday, June 29, 2012

ZEROTHIRTEENINTHEAREA

BE PART OF OUR RESISTANCE
- [013] MANIFESTO -

QUOTE OF THE DAY

Where there is authority, there is no freedom. 
- Peter Kropotkin

THE PORG POST


More artwork by the porg here

Sunday, June 24, 2012

EQUINOX: RAVE NEW WORLD



EQUINOX examines the rave experience from the technological point of view; the music, the lighting, the new video technology and the neuroscience of ecstasy, the drug that is an integral part of the rave scene. A technological view of the rave scene. Looks at American research on the longterm effects of ecstasy (MDMA) on the brain neurotransmitter serotonin. Dr Charles Grob of UCLA studies its use in therapy. Alexander Shulgin, the `father of ecstasy' creates psychoactive drugs in his garden-shed lab. Charts the evolution of rave and its technology. Moves from 3000 teenagers in an aircraft hangar in Kent, via an Orbital show in Amsterdam to 1000 techno-hippies in the Nevada desert. Examines the science and technology of the rave experience, considering the effects of the music, the lighting, new video technology and the neuroscience of the drug ecstasy. Features Dr. Charles Grob of UCLA, Alexander Shulgin, a pharmacologist, and ambient techno musicians the Future Sound of London.

Saturday, June 23, 2012

VIGINTITRESOLOGY

Vigintitresology (the study of the number 23) appears, at first, quite humorous. But it does have the tendency to cluster seemingly unrelated facts into strangely beautiful patterns. 23 is one of the principles which weaves the web of Maya... The Human mind is a machine which creates meaning by structuring the meaningless "stuff" of which reality consists. For some reason, yet undiscovered, one of the rules built into this structuring machine is the Formula of 23; the possibility is here entertained that only now are we becoming aware of this enigmatic 23.


23 is a randomizing agent. As the spirit of Irony and the soul of Paradox, the Principle 23 is the ordering principle which creates reality. The key to understanding the meaning of 23 is in the I-Ching; the 23rd Hexagram is Po / Splitting apart. 23 presides over disintegration, dissolution, revolution, disasters, or, in sum, any radical change in situation. It is neither good nor bad, but always unexpected. 23 is the opposite of what appears to be inevitable. It is, therefore, the opposite to the tragic, perhaps more akin to the comic. — It is the essence of chance as change.

23 signals the chaotic state between two stable states. As such, it fits into the category of 'in betweenness'. It is therefore one of those things which is Not. 23 is one from the demonic hosts of Non-being about to invade Being. The 93 Current will split apart the unconsciously created world we inhabit. 23 is not identical with 93, but an emanation from it. 23 is the herald of the end which will be a new beginning.

Why Crowley's life can be so neatly aligned with 23 should now be obvious. His life points to the end which contains a new beginning. 23 stands at the point between dissolution and coming together. (Hence, it is a Magico-Alchemical Formula, as will be demonstrated below.) As an initiation, it is a rite of Passage; through initiation one passes through the state of duality (2) to a state of integration on a higher plane (3).

The following Gematiric delineation should reveal the Magico-Alchemical Formula contained in 23: The word V.I.T.R.I.O.L. is derived from the initials of the Latin alchemical phrase: Visita Interiora Terrae Rectificando Invennies Occultum Lapidem. ("Visit the interior parts of the earth: by rectification thou shalt find the hidden stone") The numeration of this Universal Solvent is 726 which equals 2 x 3 x 112 = 22 x 33 or (2 x 11) X (3 x 11)... All lending credence to the Magico-Alchemical Formula of 23 as expressed in, and identical to the regenerative process of IAO. In fact, 23 should be 'written' as 203 to reveal its full nature; for the zero is the essence of the Formula, as 23 is the heart of the A in IAO. But the zero is Nought and, hence, Not there until it begins its manifestation in consciousness.

Hence, Aleister Crowley's entire life — the 3 stages — is a manifestation of 23 (2 - 0 - 3) fulfilling the formula of IAO. This is not to say that each individual's life is not an expression of the Formula, but, rather, that Crowley's appears to be the most dramatic and poignant demonstration of the Web of 23... or the Great Work, as expressed in the Union of the 5 nd 6 which equals 11 = Abrahadabra = IAO = 203 = 23.

In effect , the above has demonstrated the correspondence of 11 with 23; but then, if 23 is capable of extension as 203, revealing its full nature, then 11 must also. So, we have 101 the sum of the first 10 prime numbers... 23 is the 10th prime number! This is all symbolic of the function of 23; with its arrival the pattern is broken and begins anew; the beginning is in the end.

Sunday, June 17, 2012

PEOPLE WHO DO NOISE


People Who Do Noise' is a film about the experimental music of Portland, Oregon. Extensive interviews and intimate performance footage provide an intense portrait of the motivations, emotions, and methods that go into this uncompromising, sometimes brutal musical form. Unwavering in its focus, the film brings to light an art form unfathomable to many, with only the words of the musicians themselves providing any explanation for the pulsating sonic chaos they create. The unflinching cinematic style defies any trend-setting or commercial representation, opting instead for a stark portrayal of a musical underground at its most genuine and vital (IMDB)

Saturday, June 16, 2012

23


23 is a 1998 German drama thriller film about a young hacker Karl Koch, who died on 23 May 1989, a presumed suicide. It was directed by Hans-Christian Schmid, who also participated in screenwriting. The title derives from the protagonist's obsession with the number 23, a phenomenon often described as apophenia. Although the film was well received by critics and audiences, its accuracy has been vocally disputed by some witnesses to the real-life events on which it was based. Schmid subsequently co-authored a book that tells the story of the making of 23 and also details the differences between the movie and the actual events. - wikipedia

Karl Werner Lothar Koch (July 22, 1965 – ca. May 23, 1989)

The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. Written by Armin Ortmann <armin@sfb288.math.tu-berlin.de>


Friday, June 15, 2012

BANKSY QUOTE


“the people who run our cities dont understand graffiti because they think nothing has the right to exist unless it makes a profit...
the people who truly deface our neighborhoods are the companies that scrawl giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff....
any advertisement in public space that gives you no choice whether you see it or not is yours, it belongs to you ,, its yours to take, rearrange and re use.Asking for permission is like asking to keep a rock someone just threw at your head..”
― Banksy

Thursday, June 14, 2012

SEVENUM SIX




Ahh.. good old Jimmy. I feel old thinking about the time he started creating music.. Sevenum Six is one of the artists I have witnessed grow from a front row seat. Evolving over the years into an excellent artist. I wouldn't want to trade in that front row ticket for anything else in the world.. it is amazing to see these guys live up to their potential.. enjoying it and blasting out mental vibes for for your ears to please. Even after getting his gear stolen twice!
Support this guy!



BIO (excerpt from Soundcloud)

At the the age of 17 Sevenum Six fell in love with the production of music. Inspired by the free party scene he started making some hardtek beats in Fruity Loops. After a while of messing arround he discided he wanted to bring his music to the crowd so he changed to Ableton Live. To make his sound more complete he added some hardware to his setup like the korg EMX, EAMK2, a Mopho and some midi controllers. By searching deeper into the world of hardware he discovered the magic sound of the TB303. Meanwhile over the years his sound evolved, getting more dark and mental. After 3 years he became a well known artist in the free party scene and played at party's all over the Netherlands, France and Belgium. Doing this he got the chanse to spread his sound in many places. As a result he got his first vinyl release in 2011 and many to follow... By getting involved with vinyl he also wanted to play them so he bought himself 2 turntables and the shit was really on !! Today Sevenum Six is actively working on bringing you an original sounding liveset and fresh vinylmixes. 

And so his passion for the music keeps growing everyday…


THE PIRATE’S DILEMMA



How do you start a movement with a marker pen? What's the connection between the nun who invented disco, and file sharing? How did a male model messing with disco records in New York in the 1970s influence the way Boeing design airplanes? Does hip-hop really hold the secret to world peace? How did three eleven-year-olds revolutionize the video game industry by turning Nazis into Smurfs? And what's going to happen to Nike when it's possible for kids to download sneakers?

The Pirate’s Dilemma tells the story of how youth culture drives innovation and is changing the way the world works. It offers understanding and insight for a time when piracy is just another business model, the remix is our most powerful marketing tool and anyone with a computer is capable of reaching more people than a multi-national corporation.

Ideas that started within punk, disco, hip-hop, rave, graffiti and gaming have been combined with new technologies and taken to new heights by the generations that grew up under their influence. With a cast of characters that includes such icons as The Ramones, Andy Warhol, Madonna, Russell Simmons, Pharrell and 50 Cent, The Pirate’s Dilemma uncovers, for the first time, the trends that transformed underground scenes into burgeoning global industries and movements, ultimately changing life as we know it, unraveling some of our most basic assumptions about business, society and our collective future.

As a result people, companies and organizations are now struggling with a new dilemma in increasing numbers. As piracy continues to change the way we all use information, how should we respond? Do we fight pirates, or do we learn from them? Should piracy be treated as a problem, or a solution? To compete or not to compete – that is the question that is the Pirate’s Dilemma, perhaps one of the most important economic and cultural conundrums of the 21st Century.

The book is out in hardcover in the U.S. through Free Press, and in the U.K. through Penguin. The U.S. paperback came out spring 2009. - thepiratesdilemma.com

Wednesday, June 13, 2012

MEDIA, SCHMEDIA


A quick reminder, never believe the media. Only a handful of corporations control what you can see on television. Feeding you a false reality and other crap all over the world. Turn of that television, your brain will be pleased!

LIES LIES LIES LIES LIES LIES!
Feel free to explore our tag TELIEVISION for more lies.

REHOSTED SOME ESSENTIAL IMAGES



Well.. my free ftp access to users.skynet.be has been deleted after more than 15 years. So I thank you, Belgacom, for the free bandwidth abuse coming from our readers. May your corporate ass burn in hell.

Anyway.. the few images that had to be moved have a new home now and the blog has its good old look back. Carry on! Nothing to see here :D

Tuesday, June 12, 2012

THE AUTUMN RAIN TRILOGY

The "Autumn Rain" books (The Mirrored Heavens, 2008; The Burning Skies, 2009 The Machinery of Light, 2010) by David J. Williams are less a trilogy of novels than a single novel in three volumes. Set on an early twenty-second century Earth struggling with grueling resource scarcity, their focus is on the central international conflict of the time, which is carried on between a United States narrowly rescued from collapse by a military dictatorship on the one hand, and a "Eurasian" coalition led by Russia and China, and including the non-Russian former Soviet republics and the Korean peninsula, on the other. 


Book 1 – The Mirrored Heavens
In this thrilling debut, David J. Williams delivers a hard-hitting blend of military SF and dystopian cyberpunk, set in a futuristic landscape where hostilities rage from the Eastern and Western hemispheres to the outer ranges of space.

In the 22nd century, the first wonder of a brave new world is the Phoenix Space Elevator, designed to give mankind greater access to the frontier beyond Earth. Built by the U.S./Pan-Asian Coalition, the Elevator is also a grand symbol of superpower alliance following a second cold war. And it's just been destroyed.

The South American insurgent group Autumn Rain claims responsibility for the attack, but with suspicions rampant, armies and espionage teams are mobilized across the globe and beyond. Enter Claire Haskell and Jason Marlowe, U.S. counterintelligence agents, and former lovers—though their memories may only be constructs implanted by their spymaster. Forced to set aside the enigma of their past, their agenda is to trust no one. For in a time of shifting loyalties, the enemy could be anyone—from a shadowy assassin working a questionable mission on the dark side of the moon, to a Euro data thief working under deep cover and wooed into a dangerous pact.

As the crisis mounts, and the search for Autumn Rain spans both Earth and Moon, the lives of all those involved will converge in one explosive finale—and a startling aftermath that will rewrite everything they've ever known—about their mission, their world, and themselves


Book 2 – The Burning Skies
In his electrifying debut, The Mirrored Heavens, David J. Williams created a dark futuristic world grounded in the military rivalries, terror tactics, and political wrangling of our own time. Now he takes his masterful blend of military SF, espionage thriller, and dystopian cyberpunk one step further - to the edge of annihilation . . . .

Life as U.S. counterintelligence agent Claire Haskell once knew it is in tatters - her mission betrayed, her lover dead, and her memories of the past suspect. Worse, the defeat of the mysterious insurgent group known as Autumn Rain was not as complete as many believed. It is quickly becoming clear that the group's ultimate goal is not simply to destroy the tenuous global alliances of the 22nd century - but to rule all of humanity. And they're starting with the violent destruction of the Net and the assassination of the U.S. president. Now it's up to Claire, with her ability to jack her brain into the systems of the enemy, to win this impossible war.

Battling ferociously across the Earth-Moon system, and navigating a complex world filled with both steadfast loyalists and ruthless traitors, Claire must be ready for the Rain's next move. But the true enemy may already be one step ahead of her.


Book 3 – The Machinery of Light
With The Machinery of Light, David J. Williams completes his furiously paced, stunningly imagined trilogy - a work of vision, beauty, and pulse-pounding futuristic action.

September 26, 2110. 10:22 GMT. Following the assassination of the American president, the generals who have seized power initiate World War Three, launching a surprise attack against the Eurasian Coalition's forces throughout the Earth-Moon system. Across the orbits, tens of thousands of particle beams and lasers blast away at one another. The goal: crush the other side's weaponry, paving the way for nuclear bombardment of the cities.

As inferno becomes Armageddon, the rogue commando unit Autumn Rain embarks on one last run. Matthew Sinclair, an imprisoned spymaster, plots his escape. And his former protégé Claire Haskell, capable of hacking into both nets and minds, is realizing that all her powers may merely be playing into Sinclair's plans. For even as Claire evades the soldiers of East and West amid carnage in the lunar tunnels, the surviving members of the Rain converge upon the Moon, one step ahead of the Eurasian fleets but one step behind the mastermind who created Autumn Rain - and his terrible final secret.

Monday, June 11, 2012

THE WINGNUT ANARCHIST COLLECTIVE



"We Gladly Consume Those Who Oppress Us!"

The Wingnut is an anarchist collective house in Southern Barton Heights in Richmond, Virginia.


The Wingnut hosts all sorts of sober, all ages events, such as acoustic musical performances, craft nights, food not bombs, movie screenings, workshops, group meetings, copwatch, anarchist black cross etc.

ADBUSTING PIC


Clever adbusting in the UK.