Saturday, March 31, 2012

QUOTE OF THE DAY

Tuesday, March 20, 2012

PHAT TRUCK POST

Monday, March 19, 2012

QUOTE OF THE DAY

Saturday, March 17, 2012

THE REVOLUTION WILL NOT BE TELEVISED



THE REVOLUTION WILL NOT BE TELEVISED DIRECTED AND PHOTOGRAPHED BY KIM BARTLEY AND DONNACHA O'BRIAIN IRELAND, 2003 74 minutes in Spanish, with English subtitles  "Hugo Chavez, president of Venezuela in 1998, is a colorful,unpredictable folk hero, beloved by his nation's working class and a tough-as-nails, quixotic opponent to the power structure that would see him deposed. Two independent filmmakers were inside the presidential palace on April 11, 2002, when he was forcibly removed from office.They were also present 48 hours later when, remarkably, he returned to power amid cheering aides. Their film records what was probably history's shortest-lived coup d'état. It's a unique document about political muscle and an extraordinary portrait of the man The Wall Street Journal credits with making Venezuela "Washington‚s biggest Latin American headache after the old standby, Cuba."

Monday, March 12, 2012

RECESSION TIP

Saturday, March 3, 2012

QUOTE OF THE DAY

"I do not wish to remove from my present prison to a prison a little larger. I wish to break all prisons."

--Ralph Waldo Emerson

Friday, March 2, 2012

MCSHIT

Monday, February 27, 2012

ADBUSTING

Saturday, February 25, 2012

QUOTE OF THE DAY

Thursday, February 23, 2012

TV TURNOFF

Wednesday, February 22, 2012

DANGEROUS

Tuesday, February 21, 2012

PIC OF THE DAY

Monday, February 20, 2012

ABANDON ALL HOPE

By destroy all

Sunday, February 19, 2012

QUOTE OF THE DAY

“The possessions of the rich are stolen property.”
 Pierre-Joseph Proudhon  
(French Politician and Journalist, 1809-1865)

Saturday, February 18, 2012

JAZ

By JAZ

Monday, February 13, 2012

QUOTE OF THE DAY

"'What I believe' is a process rather than a finality. Finalities are for gods and governments, not for the human intellect."
- Emma Goldman

Saturday, February 4, 2012

CAREFREE VACANT PROPERTY


7 Dutch people of the 2 largest anti-squat agencies Camelot property management and Ad Hoc property management are followed to investigate what are the consequences of not having renters rights.
Who are using the services of anti-squat agencies? and how do politicians, housing experts, lawyers and others involved judge this rising phenomenon.

Temporary tenants/guardians, who are often unable to find a home on the housing market, are placed in empty buildings to prevent squatting and disrepair. By becoming guardians, tenants find themselves in a position where they have almost no rights. For instance, the special type of ‘’licence agreement’’ stipulated can be ended without any reason at two weeks notice, the domestic peace is not respected,
people may not throw parties and may not talk to the press without prior permission. More than 30 rules violate the European Convention of Human Rights.

The documentary makes visible this hidden reality and tries to stir up the debate around what are better ways of dealing with empty properties.

In The Netherlands the documentary has stirred a big public debate in parliament and in the media.
Anti-squat agencies are rapidly spreading in Europe and are already active in The Netherlands, England, Belgium, France, Germany and Ireland.

Friday, February 3, 2012

QUOTE OF THE DAY

"Anarchism does not mean bloodshed; it does not mean robbery, arson, etc. These monstrosities are, on the contrary, the characteristic features of capitalism. Anarchism means peace and tranquility to all."  
--August Spies, Haymarket anarchist

Monday, January 30, 2012

PHAT TRUCK POST

Friday, January 27, 2012

THE RUM DIARY


American journalist Paul Kemp takes on a freelance job in Puerto Rico for a local newspaper during the 1950s and struggles to find a balance between island culture and the expatriates who live there.

.. cancel my agenda, this is what I am watching tonight now that the DVDRIP is out.

Thursday, January 19, 2012

DANCECULT


The Aesthetics of Protest in UK Rave
By Ramzy Alwakeel (Independent scholar)

Abstract
Informed by the conceptualisation of an "aesthetic politics" around largely unlawful rave and dance scenes in Britain between the late-1980s and mid-1990s, this article explores negotiations between these EDMCs and the British Parliamentary and legal establishments. Two case studies will inform the argument that rave culture effects a "performative protest". That is, Autechre's response to the 1994 Criminal Justice and Public Order Act and the work of The Justified Ancients of Mu Mu in the late-1980s will be discussed in order to suggest that rave can be considered a speech-act that immediately communicates its own refusal to submit to authority. It will be suggested that rave's responses to power structures derive from the internal dynamics of its own aesthetic politics. I shall conclude that rave has often functioned as a potent political vehicle on its own terms, but that the embrace of its own multiplicity safeguards it against exhaustion by any single agenda.

FULL TEXT HERE (DANCECULT)
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Tuesday, January 17, 2012

QUOTE OF THE DAY

Monday, January 16, 2012

MAKING A NOISE

Making a Noise – Making a Difference: Techno-Punk and Terra-ism
By Graham St John (University of Queensland)


This article charts the convergence of post-punk/post-settler logics in the techno-punk development in Australia. Exploring how punk would become implicated in the cultural politics of a settler society struggling for legitimacy, it maps the ground out of which Labrats sound system (and their hybrid outfit Combat Wombat) arose. It provides an entry to punk through an analysis of the concept of hardcore in the context of cultural mobilisations which, following more than two centuries of European colonisation, evince desires to make reparations and forge alliances with Indigenous people and landscape. To achieve this, the article traces the contours and investigates the implications of Sydney’s techno-punk emergence (as seen in The Jellyheads, Non Bossy Posse, Vibe Tribe and Ohms not Bombs), tracking the mobile and media savvy exploits of 1990s DIY sound systems and techno terra-ists>, aesthetes and activists adopting intimate and tactical media technologies, committing to independent and decentralised EDM creativity, and implicated in a movement for legitimate presence.

Keywords
techno, anarcho-punk, hardcore, sound systems, postcolonialism, Sydney techno-punk scene

Contents

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Download full article here (dancecult)
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