Showing posts with label DYSTOPIA. Show all posts
Showing posts with label DYSTOPIA. Show all posts

Friday, July 5, 2013

THE ULTIMATE BAD-ASS



"You want to know about voting? I’m here to tell you about voting.

Imagine you’re locked in a huge underground nightclub filled with sinners, whores, freaks and unnameable things that rape pit bulls for fun. And you ain’t allowed out until you all vote on what you’re going to do tonight. You like to put your feet up and watch “Republican Party Reservation.” They like to have sex with normal people using knives, guns, and brand new sexual organs that you did not know existed. So you vote for television and everyone else, as far as your eye can see, votes to fuck you with switchblades.


That’s voting. You’re welcome." - Spider Jerusalem on democracy

A fearless seeker of truth, god among journalists, drug enthusiast, heavy drinker,
chain smoker and a governments biggest nightmare. Spider Jerusalem is by far my most favorite comic book character ever. We have suggested reading TRANSMETROPOLITAN a few times before and will continue to do so because it is a masterpiece of philosophical and literary depth. A perfect example of how a comic can be just as inspiring, educational and eye-opening as a well written book.

TRANSMETROPOLITAN issue #01 to #60
DOWNLOAD ALL ISSUES (requires Rapidgator premium)
or
DOWNLOAD ISSUE 01-30
DOWNLOAD ISSUE 31-60
I noticed that we never included some extra issues such a the Christmas specials. So better late than never.. here they are.

TRANSMETROPOLITAN extras
GRAB IT HERE
Of course paperback copies are more fun to read and in this case definitely worth buying at your local comic book store, but not everyone has the ability to do so. Therefor downloading is a good alternative. CDisplay is a great viewer for reading digital comics.

Saturday, March 23, 2013

INFORMATION FOR EVERYONE!

Information is free,
open to all.
So.. FUCK YOU and your intellectual property!

Freedom of information is a human right! So why not READABOOKSON? Or visit V£R$O or the EBOOKCOLLECTIVE.
Seize what is yours
and stay informed!

The Archive.org hosts a huge collection of all kinds of literature such as the zine collection of Solidarity! Revolutionary Center and Radical Library or Make Projects, a collection of DIY project from MAKE magazine. The Archive.org library also includes audio, video, software and archived websites. Great media such as a live production of George Orwell's "1984" by BBC Television or you might fancy a good conspiracy theory? The Capitalist Conspiracy (1969) awaits you!

TIP: The Anarchist Library is open 24/24!

Radical Books has a healthy collection of radical literature. It lacks updates but the distribution of information continues.

Not looking for a suggestion? Knock yourself out!




While you are at it.. feel free to share your sources with others. Public access to information is one of the best ways to guard our freedoms and limits the government power. The best government is an open government. Secrecy breeds mistrust, while transparency fosters trust. A successful community is built on trust. So to all politicians out there.. take note. Give access, make friends.




Tuesday, June 12, 2012

THE AUTUMN RAIN TRILOGY

The "Autumn Rain" books (The Mirrored Heavens, 2008; The Burning Skies, 2009 The Machinery of Light, 2010) by David J. Williams are less a trilogy of novels than a single novel in three volumes. Set on an early twenty-second century Earth struggling with grueling resource scarcity, their focus is on the central international conflict of the time, which is carried on between a United States narrowly rescued from collapse by a military dictatorship on the one hand, and a "Eurasian" coalition led by Russia and China, and including the non-Russian former Soviet republics and the Korean peninsula, on the other. 


Book 1 – The Mirrored Heavens
In this thrilling debut, David J. Williams delivers a hard-hitting blend of military SF and dystopian cyberpunk, set in a futuristic landscape where hostilities rage from the Eastern and Western hemispheres to the outer ranges of space.

In the 22nd century, the first wonder of a brave new world is the Phoenix Space Elevator, designed to give mankind greater access to the frontier beyond Earth. Built by the U.S./Pan-Asian Coalition, the Elevator is also a grand symbol of superpower alliance following a second cold war. And it's just been destroyed.

The South American insurgent group Autumn Rain claims responsibility for the attack, but with suspicions rampant, armies and espionage teams are mobilized across the globe and beyond. Enter Claire Haskell and Jason Marlowe, U.S. counterintelligence agents, and former lovers—though their memories may only be constructs implanted by their spymaster. Forced to set aside the enigma of their past, their agenda is to trust no one. For in a time of shifting loyalties, the enemy could be anyone—from a shadowy assassin working a questionable mission on the dark side of the moon, to a Euro data thief working under deep cover and wooed into a dangerous pact.

As the crisis mounts, and the search for Autumn Rain spans both Earth and Moon, the lives of all those involved will converge in one explosive finale—and a startling aftermath that will rewrite everything they've ever known—about their mission, their world, and themselves


Book 2 – The Burning Skies
In his electrifying debut, The Mirrored Heavens, David J. Williams created a dark futuristic world grounded in the military rivalries, terror tactics, and political wrangling of our own time. Now he takes his masterful blend of military SF, espionage thriller, and dystopian cyberpunk one step further - to the edge of annihilation . . . .

Life as U.S. counterintelligence agent Claire Haskell once knew it is in tatters - her mission betrayed, her lover dead, and her memories of the past suspect. Worse, the defeat of the mysterious insurgent group known as Autumn Rain was not as complete as many believed. It is quickly becoming clear that the group's ultimate goal is not simply to destroy the tenuous global alliances of the 22nd century - but to rule all of humanity. And they're starting with the violent destruction of the Net and the assassination of the U.S. president. Now it's up to Claire, with her ability to jack her brain into the systems of the enemy, to win this impossible war.

Battling ferociously across the Earth-Moon system, and navigating a complex world filled with both steadfast loyalists and ruthless traitors, Claire must be ready for the Rain's next move. But the true enemy may already be one step ahead of her.


Book 3 – The Machinery of Light
With The Machinery of Light, David J. Williams completes his furiously paced, stunningly imagined trilogy - a work of vision, beauty, and pulse-pounding futuristic action.

September 26, 2110. 10:22 GMT. Following the assassination of the American president, the generals who have seized power initiate World War Three, launching a surprise attack against the Eurasian Coalition's forces throughout the Earth-Moon system. Across the orbits, tens of thousands of particle beams and lasers blast away at one another. The goal: crush the other side's weaponry, paving the way for nuclear bombardment of the cities.

As inferno becomes Armageddon, the rogue commando unit Autumn Rain embarks on one last run. Matthew Sinclair, an imprisoned spymaster, plots his escape. And his former protégé Claire Haskell, capable of hacking into both nets and minds, is realizing that all her powers may merely be playing into Sinclair's plans. For even as Claire evades the soldiers of East and West amid carnage in the lunar tunnels, the surviving members of the Rain converge upon the Moon, one step ahead of the Eurasian fleets but one step behind the mastermind who created Autumn Rain - and his terrible final secret.

Monday, June 4, 2012

MAX HEADROOM - 20 MINUTES INTO THE FUTURE


Max Headroom: 20 Minutes into the Future is a 1985 cyberpunk television movie created by Chrysalis Visual Programming Ltd. for Channel 4 in the UK to provide a back story for Max Headroom, a computer generated TV host. A British produced, yet American broadcast, television series, Max Headroom, was later developed from the original film.



The film introduces Edison Carter (Matt Frewer), a television reporter trying to expose corruption and greed. In the movie, reporter Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

While attempting to flee the network headquarters with proof, Edison suffers a serious head injury, caused by striking a low-clearance sign labelled "Max. Headroom". Believing him killed, the network's chief executive orders Bryce Lynch, an adolescent genius working as a scientist for Network 23, to digitally record Carter's mind. The recording will then be used to create a computer-based replacement for Carter in order to hide his death.

However, Bryce's programme is flawed and apparently broken — burbling "Max Headroom" over and over again (from the last object Carter saw before being knocked out, and the first thing the albeit-primitive Max says while twitching into what would become his smooth latex form). Bryce instructs his hired goons to dispose of both Carter and his virtual clone, but they simply sell them on — Carter to a body bank, and the machine copy to pirate television station ("Big Time") owner Blank Reg.

After a bit of nurturing from Reg, the resulting program achieves a somewhat eccentric life of its own, crackling out rapid fire gags, hosting his own show, and sending Reg's ratings through the roof.

Meanwhile, a merely unconscious Carter escapes from becoming a premature organ donor. With the help of colleague Theora Jones (Amanda Pays), and the distraction provided by Max, Carter eventually defeats Network 23. - wikipedia



Max Headroom - Episode 1

Max Headroom is a British-produced American science fiction television series by Chrysalis/Lakeside Productions that aired in the United States on ABC from March 1987 to May 1988. The series was based on the Channel 4 British TV pilot Max Headroom: 20 Minutes into the Future. The series is often mistaken as an American-produced show due to the setting and its use of an almost entirely US cast along with being broadcast in the USA on the ABC network. Cinemax aired the UK pilot followed by a six-week run of highlights from The Max Headroom Show, a music video show where Headroom appears between music videos. ABC took an interest in the pilot and asked Chrysalis/Lakeside to produce the series for US audiences.

The show went into production in late 1986 and ran for six episodes in the first season with eight being produced in season two. - wikipedia

Thursday, January 5, 2012

ALDOUS HUXLEY - THE ULTIMATE REVOLUTION

"The Ultimate Revolution"
by Aldous Huxley

(source: Internet Archive)

March 20, 1962 Berkeley Language Center - Speech Archive SA 0269

"And here I would like briefly to compare the parable of Brave New World with another parable which was put forth more recently in George Orwell's book, Nineteen Eighty- Four. Orwell wrote his book between, I think between 45 and 48 at the time when the Stalinist terror regime was still in Full swing and just after the collapse of the Hitlerian terror regime. And his book which I admire greatly, it's a book of very great talent and extraordinary ingenuity, shows, so to say, a projection into the future of the immediate past, of what for him was the immediate past, and the immediate present, it was a projection into the future of a society where control was exercised wholly by terrorism and violent attacks upon the mind-body of individuals.

Whereas my own book which was written in 1932 when there was only a mild dictatorship in the form of Mussolini in existence, was not overshadowed by the idea of terrorism, and I was therefore free in a way in which Orwell was not free, to think about these other methods of control, these non-violent methods and my, I'm inclined to think that the scientific dictatorships of the future, and I think there are going to be scientific dictatorships in many parts of the world, will be probably a good deal nearer to the brave new world pattern than to the 1984 pattern, they will a good deal nearer not because of any humanitarian qualms of the scientific dictators but simply because the BNW pattern is probably a good deal more efficient than the other."

(excerpt from the transcript)




"It seems to me that the nature of the ultimate revolution with which we are now faced is precisely this, that we are in process of developing a whole series of techniques which will enable the controlling oligarchy, who have always existed and presumably always will exist, to get people actually to love their servitude. This seems to me the ultimate malevolent revolution... This is a problem which has interested me for many years and about which I wrote, 30 years ago, a fable Brave New World which is essentially the account of a society making use of all the devices at that time available and some of the devices which I imagined to be possible, making use of them in order to, first of all, to standardize the population, to iron out inconvenient human differences, to create, so to say, mass produced models of human beings arranged in some kind of a scientific caste system. Since then I have continued to be extremely interested in this problem and I have noticed with increasing dismay that a number of the predictions which were purely fantastic when I made them 30 years ago have come true or seem in process of coming true. A number of techniques about which I talked seem to be here already, and that there seems to be a general movement in the direction of this kind of ultimate revolution, this method of control by which people can be made to enjoy a state of affairs which by any decent standard they ought not to enjoy. I mean the enjoyment of servitude."

Wednesday, December 28, 2011

PIGS


PIGS

The ones that don't roll around in the mud..
As seen on LiveLeak and YouTube.. every single day.

http://www.liveleak.com/browse?q=police+brutality
http://www.youtube.com/results?search_query=police+brutality

ಠ_ಠ

Monday, June 6, 2011

DANCECULT 2 (1) 2011

The new Dancecult issue has been out for a while but so have I. Been off the world for personal reasons, mainly trying to get off ketamine for good. One of the few addictive psychedelics around and I was a 'believer'. But I faced my problem, took care of it and my life is getting back on track. Whoop-dee-fuckin-do.. My last post was Nov 6, 2010 (ouch).. so I am once again very lucky to have my best friend covering my back, even here.

So anyway our beloved Graham St John (tag GMAN) notified me on Wed, Mar 23, 2011 7:02 AM that a new issue of Dancecult has spawned! Currently Mon, Jun 6 2011 11:10 AM and I am finally going through my mailbox to bring news late. 

So.. Dancecult, tell me more!

Dancecult: Focus and Scope
(excerpt from About page @dj.dancecult.net)
Dancecult is a peer-reviewed, open-access e-journal for the study of electronic dance music culture (EDMC). A platform for interdisciplinary scholarship on the shifting terrain of EDMCs worldwide, the journal houses research exploring the sites, technologies, sounds and cultures of electronic music in historical and contemporary perspectives. Playing host to studies of emergent forms of electronic music production, performance, distribution, and reception, as a portal for cutting-edge research on the relation between bodies, technologies, and cyberspace, as a medium through which the cultural politics of dance is critically investigated, and as a venue for innovative multimedia projects, Dancecult is the forum for research on EDMCs.

From dancehall to raving, club cultures to sound systems, disco to techno, breakbeat to psytrance, hip hop to dubstep, IDM to noisecore, nortec to bloghouse, global EDMCs are a shifting spectrum of scenes, genres, and aesthetics. What is the role of ethnicity, gender, sexuality, class, religion and spirituality in these formations? How have technologies, mind alterants, and popular culture conditioned this proliferation, and how has electronic music filtered into cinema, literature and everyday life? How does existing critical theory enable understanding of EDMCs, and how might the latter challenge the assumptions of our inherited heuristics? What is the role of the DJ in diverse genres, scenes, subcultures, and/or neotribes? As the journal of the international EDMC research network, Dancecult welcomes submissions from scholars addressing these and related inquiries across all disciplines.

Dancecult is published twice a year.

Check out the amazing Dancecult: Electronic dance music cultures bibliography with an endless feed of 'must read' material. Books, articles, theses and more for you to discover.

For some reason I never posted the earlier issues, which I regret as a big GMAN fanboy. In deep shame.. behold the first and second issue of the Dancecult journal.


Vol 1, No 1 (2009)

Cover: DJ ShoCkRaVeR at Out of System free party, Italy, July 2008.
Photo: Alex Canazei.





Vol 1, No 2 (2010)
Cover: Symbiosis 2009. Photo: Pascal Querner.










 And last but not least.. Volume 2 Number 1

Classic copy/paste action pending.. pending.. copying.. pasting.. and that should do it. Enjoy!

DANCECULT | Journal of Electronic Dance Music Culture
==================
Volume 2 * Number 1 * 2011
==================
http://dj.dancecult.net/


Dancecult returns with two themes: the dystopian and remix aesthetics of
Detroit and a special From the Floor section on the Love Parade.

CONTENTS - DANCECULT 2(1)

## Feature Articles ##

Disco's Revenge: House Music's Nomadic Memory
-- Hillegonda C. Rietveld

Hooked on an Affect: Detroit Techno and Dystopian Digital Culture
-- Richard Pope

Maintaining "Synk" in Detroit: Two Case Studies in the Remix Aesthetic
-- Carleton S. Gholz

Festival Fever and International DJs: The Changing Shape of DJ Culture in
Sydney's Commercial Electronic Dance Music Scene
-- Ed Montano

## From the Floor ##

Nomads in Sound vol. 1
-- Anna Gavanas

# Special Section on the Love Parade #

Where is Duisburg? An LP Postscript HTML
-- Sean Nye, Ronald Hitzler

Party, Love and Profit: The Rhythms of the Love Parade (Interview with
Wolfgang Sterneck)
-- Graham St John

Pathological Crowds: Affect and Danger in Responses to the Love Parade
Disaster at Duisburg
-- Luis-Manuel Garcia

## Reviews ##

Hip Hop Underground: The Integrity and Ethics of Racial Identification
(Anthony Kwame Harrison) PDF
-- Rebecca Bodenheimer

The Local Scenes and Global Culture of Psytrance (Graham St John)
-- Rupert Till

Pink Noises: Women on Electronic Music and Sound (Tara Rodgers)
-- Anna Gavanas

Technomad: Global Raving Countercultures (Graham St John)
-- Philip Ronald Kirby

Sonic Warfare: Sound, Affect, and the Ecology of Fear (Steve Goodman)
-- tobias c. van Veen

Music World: Donk (Dir. Andy Capper)
-- Philip Ronald Kirby

Speaking in Code (Dir. Amy Grill)
-- tobias c. van Veen


Edition 2.1 is not only a new edition of Dancecult, but a redesigned look. Congratulations to all the volunteers in our new editorial and production team (along with our authors and reviewers) for getting this over the line. Special mention to tobias c. van Veen as our new Managing Editor who is to be congratulated for his dedication to managing this edition, overseeing the redesign of the PDF articles and the transition to our new server. Further accolades to Reviews Editor Karenza Moore; Art Director Cato Pulleyblank who designed our great new logo and transformed our look in Indesign; our Copyeditors Catherine Baker and Katrina Loughrey who poured over the Old Testament; Production Director Gary Powell and Production Assistants Ed Montano, Luis-Manuel Garcia and Botond Vitos; and not least OJS wrestler and Operations Assistant Neal Thomas. Extra thank you to Luis-Manuel Garcia for the German to English translation.

For the full list of our new team see:
http://dj.dancecult.net/index.php/journal/about/editorialTeam

Please note that we have a new Dancecult Style Guide (DSG) now available for download. Tobias and myself have worked hard on producing the new DSG. It is a major improvement on our former style guide (the Old Testament) which now includes coverage of our cross platform requirements. For those submitting material, you must download and read the DSG thoroughly before submitting any material.
http://www.dancecult.net/i/dancecult_styleguide.pdf

From the sweet spot,

Graham St John
Executive Editor

tobias c. van Veen
 Managing Editor

Saturday, October 23, 2010

BRAZIL


All I can say is.. SIMPLY BRILLIANT!


Brazil is a 1985 science fiction fantasy film directed by Terry Gilliam. It was written by Gilliam, Charles McKeown, and Tom Stoppard and stars Jonathan Pryce. The film also features Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins, and Ian Holm. John Scalzi's Rough Guide to Sci-Fi Movies describes the film as a "dystopian satire".



The film centres on Sam Lowry (Pryce), a man trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living a life in a small apartment, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. Brazil's bureaucratic, totalitarian government is reminiscent of the government depicted in George Orwell's Nineteen Eighty-Four, except that it has a buffoonish, slapstick quality and lacks a 'Big Brother' figure.



Jack Mathews, film critic and author of The Battle of Brazil (1987), described the film as "satirizing the bureaucratic, largely dysfunctional industrial world that had been driving Gilliam crazy all his life". Though a success in Europe, the film was unsuccessful in its initial North America release. It has since become a cult film.
- except from Wikipedia



runtime is over 2,5 hours so it is quiet a download.. those who are not gifted with a rapidshare account might want to find another way to obtain this masterpiece. Hell.. why not just buy it? That would be new.. for me ;D

Thursday, October 21, 2010

FORBRYDELSENS ELEMENT


Forbrydelsens element or "The Element of Crime" is a danish film by Lars von Trier that was released in 1984. This intriguing film, to some controversial, explores life in a future dystopian society is in my list of favorites. A gloomy, apocalyptic, anarchic world.. where the seasons have disappeared, where civilization is just a vague memory.

Plot (excerpt from Wikipedia)

In The Element of Crime, a British detective named Fisher (Michael Elphick), who has become an expatriate living in Cairo, undergoes hypnosis in order to recall his last case. The Europe of his dreamlike recollection is a dystopia, dark and decaying. Fisher remembers pursuing an elusive killer called the "Lotto Murderer", who was strangling and then mutilating young girls who were selling lottery tickets. He attempts to track down the killer using the controversial methods outlined in a book entitled The Element of Crime, written by his disgraced mentor, Osborne (Esmond Knight). He is joined in his search by a prostitute named Kim (Me Me Lai), who, it turns out, has had a child by his target. Fisher's search is based on a tailing report written by Osborne when trying to track down a murderer who had been killing in the same way as the "Lotto Murderer", but who, supposedly, has since died in a crash. The Osborne method requires the detective to try to identify with the mind of the killer. This he does, but, in so doing, begins to behave more and more like a serial killer himself.

http://rapidshare.com/files/50304532/Trier-ElmntoCrime.part01.rar
http://rapidshare.com/files/49970219/Trier-ElmntoCrime.part02.rar
http://rapidshare.com/files/49975734/Trier-ElmntoCrime.part03.rar
http://rapidshare.com/files/50321603/Trier-ElmntoCrime.part04.rar
http://rapidshare.com/files/49988176/Trier-ElmntoCrime.part05.rar
http://rapidshare.com/files/50333576/Trier-ElmntoCrime.part06.rar
http://rapidshare.com/files/50001455/Trier-ElmntoCrime.part07.rar
http://rapidshare.com/files/50346488/Trier-ElmntoCrime.part08.rar
http://rapidshare.com/files/50353208/Trier-ElmntoCrime.part09.rar
http://rapidshare.com/files/50359883/Trier-ElmntoCrime.part10.rar
http://rapidshare.com/files/50366793/Trier-ElmntoCrime.part11.rar
http://rapidshare.com/files/50373266/Trier-ElmntoCrime.part12.rar
http://rapidshare.com/files/50380222/Trier-ElmntoCrime.part13.rar
http://rapidshare.com/files/50386815/Trier-ElmntoCrime.part14.rar
http://rapidshare.com/files/50298873/Trier-ElmntoCrime.part15.rar
pass: www.AvaxHome.ru