Showing posts with label WILLIAM S. BURROUGHS. Show all posts
Showing posts with label WILLIAM S. BURROUGHS. Show all posts

Sunday, June 3, 2012

23 SKIDOO ERISTIC ELITE

(click to enlarge)

The first story which caught the magic of the number 23 written by William S. Burroughs. Later picked up by Robert Anton Wilson and the rest is history. Today I am still caught in the 23 enigma. What about you?

If you wonder why the number 23 is embraced by the tekno movement you might want to read our guide to the number 23.



Thursday, May 31, 2012

HAKIM BEY: REPOPULATING THE TEMPORARY AUTONOMOUS ZONE

Hakim Bey: Repopulating the Temporary Autonomous Zone
Author: Simon Sellars


From: Journal for the Study of Radicalism
Volume 4, Number 2, Fall 2010
pp. 83-108 | 10.1353/jsr.2010.0007

In lieu of an abstract, here is a brief excerpt of the content:

Project MUSE - Journal for the Study of Radicalism - Hakim Bey: Repopulating the Temporary Autonomous Zone Browse > History > Journal for the Study of Radicalism > Volume 4, Number 2, Fall 2010 Download PDF Hakim Bey:Repopulating the Temporary Autonomous Zone Simon SellarsRMIT University, Melbourne, Australia The poet and essayist Peter Lamborn Wilson is widely known for his anarchist manifesto "The Temporary Autonomous Zone" (TAZ), developed across a series of essays written from 1981 to 1988 and published in collected form in 1991 as T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism. The essays were attributed to "Hakim Bey," Wilson's infamous pseudonym, and the writing itself was a potent brew of mysticism, historical narratives, autonomous Marxist politics, and French critical theory. The overall aim was to highlight indeterminate zones within late capitalism, everyday occurrences that refuse, whether by accident or design, to be incorporated into dominant narratives. This enabled The TAZ to become an extraordinarily influential (and divisive) text in anarchist circles, and in various pop cultural movements. But has that moment passed? Can the concept hold any meaning for observers in the early twenty-first century? This essay will argue that, although the cultural capital of the TAZ has undoubtedly become degraded through overuse, the circumstances of its cultural reception are indeed worth returning to and remembering. Repopulating the TAZ can reward us now (as it did at inception) with valuable insight into the perceived role of critically engaged literature and philosophy as an activator of political potential, illumining a debate regarding the supposed (in)compatibility of leftist theory and politics that continues today. The TAZ and cyberculture: "Life in the trenches" The TAZ may have remained a fringe work if it wasn't for cyberculture, where it proved to be among the more resilient memes in alternative art and culture from the mid-1980s to the mid-1990s. The original electronic networks that became the prototype for today's commercial Internet were developed in the 1980s, a development of the first interconnected computer channels produced in the 1960s for U.S. military purposes. As François Cusset summarizes: "These networks embodied, for some, a space for resistance, a social dead zone, a territory that was still imperceptible, in whose shelter they could build a new community and undermine the ruling powers . . . the first groups of hackers emerged [and formed,] in Bruce Sterling's words, a veritable 'digital underground.'" In cyberculture's incandescent popcult moment, the gritty noir futures of cyberpunk science fiction, built upon the template forged by the ascending reputations of novelists William Gibson and Sterling, and extrapolated from present-day technological developments, were cited as metaphoric portrayals of a real world in thrall to the nascent Internet and to the implications for mediated life it held. Cyberphile magazines like Mondo 2000 (and later, Wired and 21C) spliced cyberpunk attitude with digital culture's bleeding edge, carrying advertisements for dial-up modems, cd-roms, and pixel art software in between articles and interviews exploring every facet of cyberculture: from body modification to the emergent politics of the net, from new strains of cyberpunk fiction and rave music to the "bumper sticker libertarianism" leaking from cyberculture's startling new cachet. Fermented within this heady "frontier" atmosphere, manifestos were abundant. John Perry Barlow of the Electronic Frontier Foundation drew up "A Declaration for the Independence of Cyberspace," demanding that the net—"the new home of Mind"—be forever self-governing, forever free from corporate and governmental restriction. Douglas Rushkoff produced a book-length vérité document of "life in the trenches of cyberspace" (or "Cyberia"), where "cyberians" "believe the age upon...



Thursday, June 9, 2011

WILLIAM S. BURROUGHS LIVE @ THE HACIENDA '82

  Article from Dangerous Minds


According to the gospel of Saint Anthony H. Wilson, Manchester, England, was the center of the universe during the 1980s and 1990s. Not only for its music, its talent, its imagination, and sheer brass neck, but also because it had the Haçienda, the fabled night club where you could see Madonna one night and William Burroughs the next.

Designed by Ben Kelly, The Haçienda opened its doors on Friday May 21st 1982. Owned by Factory Records and New Order (the latter plowed most of their earnings into the venue), it was given the Factory catalog number FAC51. The mix of who played there reads like an A & R man’s wet dream and included, New Order, The Happy Mondays, The Smiths, OMD, The Birthday Party, Husker Du, The Stone Roses, Oasis, James, Echo and The Bunnymen, A Certain Ratio, and Divine, amongst others. Mike Pickering, Graeme Park and Dave Haslam were host DJ’s, and in the late 1980s and 1990s, the club was the catalyst for Madchester - the music and drug fueled Second Summer of Love.

Yet, as it is said, all good things must end and the Haçienda closed down in 1997; and the club was demolished to make way for “luxury apartments” in 2002.

When Peter Hook (legendary bass-player with Joy Division and New Order), guest-blogged on the NME back in 2009, he recalled his top 10 Haçienda memories. At number three, was William Burroughs performance at The Haçienda, October 1982, of which Hooky wrote:

“That was one of those nights when there was hardly anyone in but it was quite intense because of what William Burroughs was doing. The funny thing was that one of Joy Division’s first gigs abroad was with William Burroughs, a William Burroughs evening in the Plan K in Belgium so we had a little bit of history with him ‘cos he’d told Ian to fuck off when he asked for a free book. Even at The Haçienda I didn’t ask for a free book either. I was as scared of William Burroughs as he was.

Burroughs was always impressive when presenting his work on stage, and this clip, posted by orange object, is a great piece of pop and literary culture.

Tuesday, February 2, 2010

NAROPA UNIVERSITY POETICS AUDIO ARCHIVE

The Naropa University Archive Project is preserving and providing access to over 5000 hours of recordings made at Naropa University in Boulder, Colorado. The library was developed under the auspices of the Jack Kerouac School of Disembodied Poetics (the university's Department of Writing and Poetics) founded in 1974 by poets Anne Waldman and Allen Ginsberg. It contains readings, lectures, performances, seminars, panels and workshops conducted at Naropa by many of the leading figures of the U.S.literary avant-garde.

The collection represents several generations of artists who have contributed to aesthetic and cultural change in the postmodern era. The Naropa University Archive Project seeks to enhance appreciation and understanding of post-World War II American literature and its role in social change, cultural criticism, and the literary arts through widespread dissemination of the actual voices of the poets and writers of this period. Current interest in Oriental religions, environmentalism, political activism, ethnic studies, and women's consciousness is directly indebted to the work of these New American Poets, writers and musicians.

Funding for this project was provided by the National Endowment for the Arts, the National Endowment for the Humanities, Save America's Treasures, the GRAMMY Foundation, the Internet Archive, the Collaborative Digitization Program, and private donors. If this collection is important to you please help us preserve it with your donations.

From left, Burroughs, Lucien Carr and Allen Ginsberg in New York in 1953. 

- Allen Ginsberg collection (lifelong-friend from William S. Burroughs)

or visit the complete Naropa Archive

Thursday, January 28, 2010

WILLIAM S. BURROUGHS - ARENA

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This documentary was recorded about 4 months before Burroughs died in '97 on a methadone maintenance program. One of my hero's.

More information about this documentary can be found at the source,
THE SLAVER.

Friday, January 22, 2010

WILLIAM S. BURROUGHS DOCUMENTARY

William S. Burroughs (1914-1997) was an American novelist, essayist, social critic, painter and spoken word performer. Much of Burroughs's work is semi-autobiographical, drawn from his experiences as an opiate addict, a condition that marked the last fifty years of his life. Burroughs was cited by Robert Anton Wilson as the first person to notice the "23 Enigma":


- "I first heard of the 23 Enigma from William S. Burroughs, author of Naked Lunch, Nova Express, etc. According to Burroughs, he had known a certain Captain Clark, around 1960 in Tangier, who once bragged that he had been sailing 23 years without an accident. That very day, Clark’s ship had an accident that killed him and everybody else aboard. Furthermore, while Burroughs was thinking about this crude example of the irony of the gods that evening, a bulletin on the radio announced the crash of an airliner in Florida, USA. The pilot was another Captain Clark and the flight was Flight 23."  - Robert Anton Wilson, Fortean Times.

Burroughs The Movie - anno 1985

Featuring - Allen Ginsberg, Brion Gysin, Francis Bacon, Jackie Curtis, John Giorno, Lauren Hutton, Patti Smith, Terry Southern, William S. Burroughs

Label: Giorno Poetry Systems
Catalog#: GPS 034
Format: VHS, NTSC
Country: US
Released: 1985

(click to view the documentary)

Thursday, November 12, 2009

THE NUMBER 23 FOR DUMMIES

The 23 Enigma refers to the belief that most incidents and events are directly connected to the number 23, some permutation of the number 23, or a number related to the number 23. According to Robert Anton Wilson the first person to believe in the 23 enigma is William S. Burroughs. This was stated in a Fortean Times article in 1977. In May 2007 this article was republished by Fortean Times in addition to the release of the movie 'The Number 23' earlier that year.

I first heard of the 23 enigma from William S Burroughs, author of Naked Lunch, Nova Express, etc. According to Burroughs, he had known a certain Captain Clark, around 1960 in Tangier, who once bragged that he had been sailing 23 years without an accident. That very day, Clark’s ship had an accident that killed him and everybody else aboard. Furthermore, while Burroughs was thinking about this crude example of the irony of the gods that evening, a bulletin on the radio announced the crash of an airliner in Florida, USA. The pilot was another captain Clark and the flight was Flight 23. 

The article: The 23 Phenomenon by Robert Anton Wilson.

The movie 'The Number 23' however wasn't the first movie released concerning the number 23 numerology. In 1998 the German movie '23' -"Nichts ist so wie es scheint" was released. The story is based on a true story of a group of hackers who were obsessed by the number 23. Their obsession was inspired by one of Robert Anton Wilson books called The Illuminatus! Trilogy.


The Illuminatus! Trilogy is a collaboration between Robert Anton Wilson and Robert Shea and is series of three sci-fi novels published in 1975. In these novels the text Principia Discordia is often quoted.
This text can be found in many version online. Here is the version as published by Pope Patterson of the Bowels of the Asylum: THE PRINCIPIA DISCORDIA. The first edition written by MALACLYPSE (The Younger), H.C. Omnibenevolent Polyfather of Virginity-in-gold and High Priest of The Heretic Fringe & Protestant Persuasion can be found here: THE PRINCIPIA DISCORDIA (or HOW THE WEST WAS LOST). MALACLYPSE (The Younger) was a pen name used by Greg Hill who wrote Principia Discordia with Kerry Thornley and is a Discordian religious text. The first edition was published in 5 copies in 1965.


Discordianism is a modern religion centered on the idea that chaos is all that there is, and that disorder and order, the former considered a concept distinct from chaos, are both illusions (referred to, respectively, as the "Eristic" and "Aneristic" illusions) that are imposed on chaos. The text states "All things happen in fives, or are divisible by or are multiples of five, or are somehow directly or indirectly appropritate to 5" which is the definition of the 'Law of Fives'.
"The Law of Fives is never wrong" 


The Numeral V Sign, used by Old Roman Discordians, Illuminatus Churchill and innocent Hippies everywhere. 

The Law of Fives can be seen as a symbol for the observation of reality changing that which is being observed in the observer's mind. Just as how when one looks for fives in reality, one finds them, so will one find conspiracies, ways to determine when the apocalypse will come, and so on and so forth when one decides to look for them. It cannot be wrong, because it proves itself reflexively when looked at through this lens.
Basically the Law of Fives is a practical demonstration that the percipient's intentions inform the perception. To whatever extent one considers that perception is identical with reality, then, it has the corollary that reality is intent-sensitive.

The 23 Enigma is and immediate consequence of that law which was called the "23/17 phenomenon" in The Illuminatus! Trilogy. The name "23 Enigma" was first used in the first book of the Cosmic Trigger trilogy called Cosmic Trigger I: The Final Secret of The Illuminati also by Robert Anton Wilson.


Cosmic Trigger I: The Final Secret of The Illuminati is a autobiographical and philosophical work and deals with Wilson's experiences during a time in which he put himself through a process of "self-induced brain change" as well as vignettes of his earlier life. The other two works are called Cosmic Trigger II: Down to Earth and Cosmic Trigger III: My Life After Death which were published more than 15 years later than the first Cosmic Trigger.

In both works The Illuminatus! Trilogy and Cosmic Trigger I: The Final Secret of The Illuminati the number 23 is considered lucky, unlucky, sinister, strange, or sacred to the goddess Eris or to the unholy gods of the Cthulhu Mythos. (The Cthulhu Mythos is a fictional universe created by H. P. Lovecraft in 1920s.)
The self-fulfilling nature of the 23 Enigma, implying that the real value of the Laws of Fives and Twenty-threes lies in their demonstration of the mind's power to perceive "truth" in nearly anything.  


One can find a numerological significance to anything, provided "sufficient cleverness."


Numerology is any of many systems, traditions or beliefs in a mystical or esoteric relationship between numbers and physical objects or living things. It is often associated with the occult, alongside astrology and similar divinatory arts. But it can also be used for those who, in the view of some observers, place excess faith in numerical patterns, even if those people don't practice traditional numerology.


Concerning the 23 numerology there are a lot of curiosities with the number 23 going from dates, to facts and so on. A good read is the article "About 23" by Jim Fournier: http://www.gaiamind.com/about23.html.


 Here are some examples..

- William Shakespeare was born and died on on April 23. Most of Shakespeare is known to us through the first folio published in 1623. 
- Kurt Cobain was born in 1967: 1+9+6+7=23 and died in 1994: 1+9+9+4=23. 
- It takes 23 seconds for blood to circulate through the human body.
- The number of joints in the human arm is 23. 
- The human body has 46 chromosomes, which are paired, in somatic cells. Generative cells have half this number, 23, which is the number of chromosomes each parents gives to human deoxyribonucleic acid. 
- The address of the Freemasons lodge in Stafford, England is 23 Jaol Rd. In New York it is on 23rd street.
- Hiroshima was bombed on August 6, 1945 (8+6+4+5=23). 
- Nissan is a brand of Japanese cars. In Japanese, "ni" is 2, and "san" is 3. So Nissan would be 23.
- On March 14, 1997, NASA representative states that MIR 23 space station is having problems resulting from the February 23, 1997 fire and has used 23 of their oxygen-generating canisters. It is the 23rd day aboard for the Russian crew. Progress 233 supply vehicle has problems of its own and cannot redock with MIR.
- ...

Many more examples of the 23 synchronity can be found on the web.


For me the number 23 is a part of my life and the way I live it.

23 Dragon by Mark Spiral

If you still wonder why the number 23 is often used within the free tekno scene (art, names, music, deco,...) the answer is simple. This is because most members of the founders of the tekno movement, Spiral Tribe, were also obsessed with the number 23. Records, posters, backdrops and flyers featured the number 23. Parties were often organised on the 23rd and ùembers sometimes recorded under the moniker of SP23.
Also the record label itself was called Network 23.